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THE WITCH AND THE QUEEN: Psychotherapy with Women at Midlife and Beyond by Katie Amatruda, PsyD, MFT & Lauren Cunningham, LCSW
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Chapter 7
The Queen
The Queen's Transparency
Suzanna was happy in her new home. She continued her studies at Temple, and continued to serve on the board of her favorite nonprofit group along with two old friends. She surprised herself by beginning to say 'No' when asked to serve on committees and by resigning from most of her obligations. She explained, "All I have left is time. I don't know how much. I have been busy in the world my whole life, working, raising children, volunteering. Now I just want now is a little time for myself to sit in my bay window of my cottage. I want to watch how the light changes in my garden through the day." |
The Queen in her "ripeness of being" is empowered and filled with light. She has regained confidence after a period of consolidation. She has pride in her accomplishments, but the pride is more in who she is than what she has done. She honors the journey that she has been on, and it has humanized her. She has "gotten over herself" and when she looks in the mirror she sees not only her unique inner beauty, but she also sees the world. Instead of feeling "invisible" she has become "transparent."
She
shimmers. Purple, the regal color, from
the Latin "purpureus" meaning "very, very holy" (B. Walker, The
Woman's Encyclopedia of Myths and Secrets, p.829) gives way to iridescence.
She wears both proudly and humbly the purple heart that life has given her.
If she gets inflated or gets too allied with a goddess then she is a Witch
in the disguise of a Queen, like the Snow Queen or Alice's Queen of Hearts.
When this happens—and it happens to us all from time to time—she will inevitably
become disappointed or deflated and need to start all over humbly.
For
Louise's final session she brought me vegetables from her garden.
She laughed as she gave me tomatoes, zucchini, cucumbers, melons,
and plums. "Such abundance!" she glowed.
"My garden is growing beautifully. I have more time to garden now that Freddy stays at Glen's on every other weekend. "Freddy helps me in the garden when he's home. I think he may have a gift for gardening. And George, you know, the man from the investment group, well, he helped dig up the garden. I don't think that we will be other than friends, however. I don't want a lover. I want to learn about healing herbs and plant medicines." At the end when it was time to say good-bye, Louise thanked me and said, "I'm going to garden my own life. I'll pull the weeds and cut back the deadwood, so the sun can shines on my life. I'll plant things that nourish my soul. I will water my life with tears as needed." "And at the end of the day I will wear my pink mules and enjoy the sunset." |
Of all the women we have followed, Louise most closely follows the path of the crone. In her introversion, deep connection with the earth, and willingness to heal others she has sacrificed the external dominion of the queen for the inner world of the garden. The crone is marked by her knowledge of ancient wisdom, and has been called the 'dark mother',and 'old woman of wisdom, magic, and power'. She aided at births in addition to helping the dying as they passed over, and knew the sacred rituals to prepare the bodies of the dead. She studied the mysteries of women's bodies, of blood, and of the earth.
"The Crone is the ancient holy one. She holds the powers of age and time, of retribution, and of transformation. Powers we may fear. Powers we'd do better to understand. The Crone is she who has gone beyond. She is tempered beyond the fresh strength of the Maiden. Stretched beyond the gracious gifts of the Mother. She has gone beyond even death, into mystery. She is ancient, though not always aged. She may be beautiful, but she's not pretty. She Who Has Gone Beyond goes beyond our idea of what a deity or a woman may be." Ellen Lorenzi-Prince at: http://www.northcoast.com/~ellen/
The archetype of the crone is in the process of being redeemed by women.
The worlds religions and mythologies are indeed rich with triple goddesses. In some mythologies, the Triple Goddess [the Maiden, the Mother and the Crone] represents dominion over a three-tiered universe of Heaven, Earth and the Underworld. In other contexts, she was revered as divine patroness of certain professions. In agricultural terms, the Triple Goddess ruled over the cycles of vegetation: the Maiden Goddess as symbol of the spring, the fertile Mother Goddess ruler of the summer, and the Crone Goddess, Lady of autumn,
winter and the dormant seed. However, I want to examine the Triple Goddesses function as representation of the seasons of human life: that is, the Goddess as the sacred symbol of the three phases of lifes journey : youth, adulthood and old age. It is this particular formula of the Triple Goddess that has particularly important potential for womens spiritual emancipation. The
Triple Goddess mythologies and archetypes have a unique contribution to make to women because they celebrate womens solidarity, relationality, and the power and wonder of womans physical body as she moves through the stages of girlhood, womanhood and cronehood.
From Blessings of the Crone: A Comparative Analysis of the Triple Goddess and the Christian Trinity by Rev. Victoria Weinstein at: http://www.w7.com/infovill/crone/crone.htm
In the phase of the Queen, there is often:
Josephine
invited us for tea. We started talking, and she told us her "guidelines
for living":
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Unto Herself
Weslia
shone as the lead in the play at the community theater. She
cut back on therapy as the rehearsals had increased. She began
to walk taller, and speak in a stronger voice. Sue had continued
her own midlife journey by scaling back her hours at work. She
learned how to be more patient with the children, and discovered that
she brought things to them that Weslia couldn't. She helped Peter
learn to ride his bike, and was much better than Weslia when
Emily got whiny. While Weslia knew that Emily's whining
made her feel guilty that she hadn't been there emotionally because
of her depression, and even that it reminded her of herself at times,
it still set her teeth on edge. Sue remained more neutral and
set appropriate limits so that Emily stopped whining.
The biggest surprise came when Weslia was asked to do a 'voice over' for a commercial on the local cable TV. This led to other jobs, and soon Weslia was making more money. She and Sue thrived as their relationship became more balanced. She laughed when she told me, "We are like the yin-yang symbol now. I am a bit more yang, and Sue has found some yin." Weslia felt more empowered. "For better or worse, I am myself. I am the product of my history, my failures and successes, yet I am something more. I am me and that is enough. And I am lovable and capable of loving. I feel so blessed to have Sue and the children in my life, and work that I love. I know there will be hard times ahead, there always are, but I do feel blessed. |
When
she has become an inner queen, a woman has arrived at her interior dwelling
place. She can hold and mediate the opposites of love and death. Something
new has been created; her life is simultaneously bigger and smaller than
before. She has the capacity to return to her own center. She is generous
and gracious, womanly and powerful. She has been initiated through pain
and suffering; this she neither forgets nor dwells upon.
I went to the Symphony and noticed, a few rows in front of me, that Cynthia was there. She sat so straight and silently as if listening to the music with every cell of her body. She seemed entranced by the music. At the intermission, she was with a group of men and women, no doubt from her assisted living residence. It looked as if she had friends; they were all talking together. She looked lovely, dressed in elegant clothing. Her grey hair was beautifully coifed. When I walked by, Cynthia saw me and gave a stately nod, as if simultaneously dismissing me as she greeted me. At that moment, she seemed more Empress than Queen. |
Often
she is silent, yet she can speak the truth. She lives out the rest of her
life in touch with something divine, as if she knows her place in the universe.
Whatever she must deal with, whether it be her last illness or being all
alone, she remains herself. She is compassionate, fierce, radiant and sacred.
Sally
struggled with her ambivalent relationship with her mother. When Sally
was 45, her mother suddenly died in her sleep. She carried a sadness
that they didn't said "good-bye." When she and her sister divvied
up her mother's jewelry, Sally got her mother's antique gold bracelet
that she had always worn. Sally never took it off because she liked
to feel the weight of the bracelet on her wrist.
Years later during our work together, she went away to a spa and had a massage. She removed the gold bracelet with difficulty: two side hooks and then the central clasp. She placed her rings and the bracelet on a shelf in her locker. Fearing that she might forget them, she scooped them up at the last minute and stuffed them into her pants’ pocket that she left hanging in the locker. During the massage she fell asleep. Two days later Sally noticed that the bracelet was not on her arm. She realized that she had no memory of her bracelet after she unlatched the clasp. She felt as though something in her had tricked her to leave the bracelet behind. She made a flurry of phone calls to the spa asking them to check the locker, but to no avail. Sally was astonished by the sense of relief and lack of regret. She felt lighter and less attached to her angry feelings towards her mother. She cried and missed her mother for the first time since her death. Several weeks later the spa recovered the bracelet and mailed it back to her with apologies. But she didn't put it back on. The bracelet stayed in an raku bowl that had a myriad of cracks in its beautiful white glaze. She
thought about giving it to Sheila but didn't want to pass on the
legacy of ambivalence. One day Sally came in and told me a dream
about a tree in the center of a garden. The leaves of the tree were
golden. A few weeks later she had her mother's bracelet melted down
and she designed three rings of gold, each a swirling leaf from
the tree in her dream. She showed me the one she now wore and the
one she planned to give Sheila. She hoped to give the third ring
to her granddaughter that she was sure would come one day, perhaps
through her son. |
I was moved by the synchronicities of Sally losing and finding her mother's bracelet. Sally had finally ended being the bound daughter to her now deceased mother. She had separated enough to become her own person yet feel closer to her mother and daughter and granddaughter to come.
The Witch spent many years as the wise woman of the woods, healing illnesses and injuries. She began to notice an increase in sword wounds, and horrible things done to women and children. She heard rumors of bands of brigands in the area, and knew that it was now time to act. She spun herself a glorious cloak, dying it with the blue and purple flowers. She combed out her long white hair. She carved herself a wondrous walking stick, because for all her healing arts, she could never heal her own burned and scarred feet. With cloak and hair streaming behind her, she left the cottage. She headed toward the castle, her old home. It was almost in ruins. Once she had left, there was no one to maintain it. Her husband the King had never reappeared, the kingdom was impoverished and crippled. There was no protection for the good people that lived there.
She approached the castle, and was stopped by a man with a sword. He challenged her, wanting to know who she was. She pulled herself up very tall, almost as if drawing power from the center of the Earth. "I am the Queen of this castle. Let me pass." The man sneered. "Oh no you are not. The Queen was wicked, she died dancing in red hot shoes." At this, the Queen removed her shoes, and showed the man her scarred and wounded feet. He paled, for he was the child of the Huntsman who had been ordered to kill Snow White and bring back her lungs and liver for the Wicked Queen to eat. He had been raised on tales of the Witch, and was frightened. Again the Witch saw how much she was loathed and feared. She felt remorse, and then had a glimmer of an idea.
"Come," she said to the huntsman's son, "I have a plan. We must work quickly to save the kingdom." And with that, she grabbed his hand and pulled him to her secret room. He fainted then, thinking for sure that she was going to kill him. The Witch looked around the room, seeing the remnants of her last visit there, when she made the terrible poison apple for Snow White. She awakened the son of the huntsman, and put him to work clearing away the poison.
When the room was clear, she told him the plan. "Look," she said, "Everyone is terrified of me. Let's use that! Put out the word that I am back, and bring along a frog or two. Tell everyone that you saw me turn some people into frogs, and the brigands will run away." They spent the morning catching frogs, and even found some toads.
The plan worked, the brigands left, and the Witch then had to redeem her reputation. She was helped immensely by the huntsman's son. When the son's wife was giving birth, there was difficulty. In despair, he called on the Witch for help. Of course, the poor wife feared that then she would have to give her first-born child to the Witch, but that did not happen. Instead the Witch used her knowledge of nature, and herbs, and the elements and threw in a tiny bit of magic, and both woman and baby survived and thrived. Over time people began to come to her for healing, then to settle disputes. Although there were always some who refused to trust her transformation, soon her wisdom and compassion were known throughout the kingdom. She truly was the Queen.
One day she heard a bugle announcing a visit from a neighboring Queen. Ushered in, she saw it was Snow White, but Snow White did not recognize her stepmother. The Witch saw that Snow White retained her beauty, although being a Queen and a mother seemed to given her a few wrinkles. Snow White said, "My lady, I do not know who you are, or your right to be here. This castle was my Father's, but he died in a battle long ago. I am here because your wisdom and compassion are known far and wide. I need your help. My husband is very ill. I dearly love him, as he saved me long ago. Can you help?" At this, Snow White looked into the Witch's face. She saw a woman with age spots, and wrinkles, and long white hair. The witch's eyes were filled only with tenderness and benevolence. The Witch prepared the healing potion for Snow White's husband. It was only when the Witch stood up to escort Snow White to the door that her wounded feet became visible. Snow White suddenly knew!
They were silent, looking at each other. Snow White could not believe how much her vain and proud stepmother had changed. She looked as if she never looked in a mirror anymore! And she had been so kind, this previously Wicked Stepmother. Snow White didn't know what to think. Here she was with her mortal enemy, who happened to be the only person in the world who could cure her husband. What was Snow White to do?
The Witch apologized for all that she had done to Snow White, plotting to have her killed, using laces, combs and ribbons, and finally the poison apple. She admitted her guilt, and made no excuses for what she had done. She was truly contrite, and she asked Snow White for forgiveness. Snow White said, "I had heard that the new Queen here was a woman of great compassion. Word has spread far of your healing and your wisdom. Yet I do not know if I can trust you or forgive you." As she said that, Snow White was afraid that the Witch would kill her. Instead the Witch bowed her head, and said, "It is my greatest hope that someday you will forgive me. In the meantime, please know that your husband will live."
Snow
White left, and soon thereafter word came that her husband was cured.
The Witch lived on for many years, ruling with grace and compassion, mercy
and wisdom. She never forgot that she had been through the fire and
the flood, nor her time apprenticed and healed by Grandmother Bear.
She was all these things, and more, as she was truly herself. She
had become a Queen.
I
received sad news. Josephine had died from a massive stroke.
Ivan told me that he held her as she slipped away. He grieved
but was relieved that legally she named him to prevent futilely extending
her life.
The
world is emptier with Josephine gone. She taught me about
dignity and serenity; pride and valuing yourself; about inner beauty
and strength; when to be quiet and when to be fierce.
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Sunset the night Josephine
died.
Conclusion
So here we must leave the women that we've introduced to you who are navigating through the waters of their mid life passage. They provide us with a template of the woman's journey through the years that correspond with menopause. Leaving behind the potentialities of the girl, lover, and mother roles that have both enriched and bound her, each in her way has grappled with her aging process and eventual death. We've seen how external and internal trials and difficulties facing women "of a certain age" can catapult her into embodying the Witch archetype of icy wrath, bitter despair, relentless envy, and immobilizing shame. As her body changes, her fertility wanes, her children leave, her partners change or die, she must confront the limitations of her mortality, her lost opportunities as well as the losses that are part of aging in this culture.
We have
shown you examples of women who have struggled and been able to transform
and come to a new place in their lives. Not all women fare so well. Each
of us can fall into and get stuck in the Witch archetype, which is cold
and arid and deadening. Through painful introspection, suffering, and grace,
we may have the opportunity to re-create ourselves and transform into a
woman who can relate to the elements of Queen archetype. We have presented
the Queen as a woman who has grieved her losses and gained renewed vision
and compassion as she has come into ripeness of being. She is a model
for feminine maturity that can guide and inspire us through mid life and
beyond.
Thank
you for joining us in this class! |
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